My network diagram

The other day I found in my mobile phone have over 250 contact numbers store in the phone book. I then realize that some of those contacts I have not been calling for over a year. This turns into a beginning of an idea of my social network:
To evaluate the people in my network in two directions, how close am I to these people in thoughts and opinions, and how far or how often we see others.

I rarely have a (serious/personal) conversation to my colleague who seat next to me, although his physical present are so close to me, but our thoughts is distinct and apart. Versus some friend I have outside Hong Kong, we don’t see each other often, but every time we meet, our thoughts are so close and we connect so quickly and I found that quite amazing.

In my network diagram there are all sorts of people, they are business parts, colleagues at work, friends of friends, and old school buddies. They are all distributed all over my diagram and base on the two directions I laid out earlier. I can group them into soul mates, close friends, random friends, co-workers, and strangers. This turns out into an interpreting finding to self.

HKIFF#3 - Hunger

Director Steve McQueen is a visual art artist. First debut movie and he demonstrated his personal touch and feel to it.

The entire move split into 3 phrases, the first phase is the background of the movie: 1980’s Britain does not admit they have political prisoners in North Ireland. The prisoners of the subject are on hunger strike: They do not take food of any kind, no bath or shower, only use rags to cover their body as a silence confrontation. As the terms silence confrontation suggested, the movie have very little dialogue, story telling thru acting.

The second phase of the movie is a twist and distinctive portion of the film: One scene is a long shot with 20 minutes straight of dialogue. The close friend of the hunger strike leader came visit his old friend. The leader’s friend is a priest himself, try to persuade his old friend to end this madness. The leader refused and they are so determine to fight till death...

The third phase of the movie is images of the hunger…For an individual, what kind of thoughts and believes he needs to have in order to starve to death? It is a very striking scene...

I always appreciate movies story telling thru visuals but not dialogues. Compare to narrative movies, this is quite a contrast and very unforgettable.

Hunger official website

HKIFF#2 - Che

Another revolution in a week after “Burma VJ”

Both the topic and director attracted me to watch this 270 minutes duration movie. This is the very first time for me to watch such a long film.

Renounced director Steven Soderbergh telling the story of the Marxist idealist Ernesto "Che" Guevara. The film was split into 2 feature films. The first part of the movie narrates from this controversial figure in an interview and mixed with events in his life. Start as an ordinary pleasant, join Fidel Castro and start a revolution in Cuba and over thrown the corrupt dictatorship of Fulgencio Batista. Met the love of his life and complete with the first part of the story. All this composed into powerful and full of surprise story telling. Lots of details and events and make it into an interesting movie, but it is somehow hard to follow in my opinion.

The second part of the movie started with Che Guevara went to Bolivia after he was married. He joined the guerilla and fight with the locals. His acceptance of the locals is not so good although he fight along side with them in great passion. Later he was captured and executed……The second part of the movie is relatively straight forwards. The beginning of the second part is mostly characters dialogue, the later part is the twist of the plot.
Che official website

HKIFF#1 - Burma VJ – reporting from a closed country

Burma VJ official website

Burma VJ – reporting from a closed country, a film by Anders Ostergaard, a documentary about the uprising from the Burmese people during September of 2007. Compare to other typical documentary, this particular one detour quite a bit. The entire movie compose of small clips from various ‘civilian reporters’ lives in Burma, reporters with no proper training but just click and snap image thru their digital image capture devices. Part of the film based on the civilian reporters’ memories and narration. In order to protect these reports, some scenes relayed to the reporters, places were deleted.

There is about 30 minutes after screening Q&A session. The film maker answered about 10 questions from the audiences.

Ostergaard wanted to film about Burma, but later on he feels the typical documentary maybe a bit too subjective and he rather choose to use the source from these civilian reporters.

Some audiences questioned the ‘re-composition’ is not exactly a filming documentary method. The re-composition refers to a conversion between the civilian reporter and the monk. This conversion never been filmed, and was re-composted afterwards. The audience opinion suggests it should give the reporters an interview, but the film maker thinks that the more important part to bring the audiences the info first, then analyze later. I don’t really agree with this point of view and I think the re-composition is necessary. This is not an ordinary documentary film, but to help these civilian reporters to send out the messages to other people. These reporters are in a very difficult position; they have to reuse their tapes a lot and for these little faults are very understandable.

The civilian reporters provided another definition of documentary film, a documentary film not driven by the film maker.

Behind a diagram

1. An organize chart of police in ChengDu.
2. A train cabin map of Taiwan high speed rail.
3. The information display of Incheon International Airport.
4. A market complex signage.
5. An effect instruction of 3D computer application.






I like various form of diagrams, as well as signage and information graphics.

Inspired by the lesson tonight, I recalled I have quite a collection of snap shots of this kind. Prior to this thought, I have not really attempt to take a closer look or pay any attention on their reasoning behind each of these diagrams and their arrangement. Objects on the diagram not only provided information but always have metaphorical meaning through the structure or organisation.

Writing In Water 水中之書

Hong Kong Repertory Theatre
Writing In Water 水中之書

Before I went to Stan Lai’s latest theatre production ‘Writing in water’, I was simply thought the meaning of this play is about a script or writing in water. After the show, I finally realize writing in water is a conceptual scene, a Buddhism concept to open audiencesers mind.

The ‘writing’ in ‘writing in water, is not a noun, but and a verb. The meaning of writing in water is like the name suggested, write over water.

Often time we use the metaphor life is like a piece of paper, we are hoping to imprint all accomplishments and events, fill them in the paper and treat it as a report card of our life. But sometimes I don’t feel like life is a piece of paper, life is more like write on water surface: doesn’t matter how you write, what you wrote, when you pen reach the water surface, the ink of the pen will dissolve, no trace will be found. So, a lot of things, such as career, love, wealth, even youth, we should not take it too serious: Because at the end of the day, none of these things are really under our control.

Shall we give up ‘write’ on this thin surface of water? The answer is No. Ink dissolved in water, and it can also turn in to a wonderful scene. We shall write whatever we feel like, just because there is no right or wrong. It is about the process, we shall enjoy the process of the writing and the endless possibility and outcome.

What I really like to see, is at the end of the day, the water turn back to the peace and calm flat surface. I think, maybe this is what the true happiness is.

This play has the best play writer around in Chinese modern theatre. This play started with a light comedy for the views and slowly pick up the paste and lead to an anticipating ending. The core thinking of this play is the modern people pursuit of happiness. It left lots of room for audiences’ imagination and in my opinion is a very good arrangement.

Re-making Hong Kong

Architecture as culture

Response Exhibition of the 11th International Architecture Exhibition of Venice Biennale Hong Kong Exhibition – Fabrica Cultura


Contextualization remarking of Hong Kong

Recently I attended this exhibition about remaking Hong Kong. In this exhibition, one of the work title as ‘Contextualization remaking of Hong Kong’, by Desmond Hui, is an image of a manipulated images of Nathan road. It composed of various images and transforms the real, known area into a virtual and imagery landscape. Quite an interesting thought in my opinion, and make me raise a question: Since we can form any known landscape into something imagine, shall we use more of these as a planning tool prior to urban planning?